I don’t write too many articles these days, but the other night I watched a film and felt inspired to write a short review about it. The film in question is a Korean film (with subtitles) called Breathless. It was shown on Film 4 a few weekends ago as part of their foreign film season. It was shown at the ungodly time of about 2 o’clock in the morning so I recorded it.
I had managed to watch most of the foreign film season, most were good , but others were utter shite….but Breathless really caught my eye. initially because of the warning in the synopsis ‘…VERY STRONG LANGUAGE AND VIOLENCE …’ This sounded like my cup of tea.
The lead protagonist (played by Yang Ik Joon (who also wrote, directed and produced the film)) is called Sang-Hoon, a truly despicable, volatile, debt collector with a particular passion for violence…
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For those of you who were in a coma… or living in a monastery… or indeed not born in the late 90’s, here is a quick history lesson for you.
T.F.I Friday was a pop culture entertainment programme on Channel 4 that ran from 1996 until the year 2000. It was broadcast at 6 o’clock but was re-run later the same night for the last orders punters to see it. It was presented by Chris Evans, who was kind of the 90’s version of Piers Morgan, but, lets be honest, he wasn’t half as annoying and had a tad more charisma. Anyways, the programme was a combination of live music, interviews and comedy.
I’ve been watching a lot of clips on YouTube just lately, and its brought back a lot of memories for me, so for those that have carried on reading this far, or for them that actually give…
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Many bands work for their entire careers trying to get a signature sound or score a big hit single that they will always be remembered for. It might not be a sound that makes them well known, it might be a gimmick, memorable music video or their fashion sense. Slash had his top hat, Iron Maiden have ‘Eddie’ and Kiss have their over the top outlandish make-up. Once a sound picks up its own personal sound, they will more than likely find them selves stuck with it, no matter how far they try to remove them selves from it. Their future releases will always be compared to the debut, and they will always be stuck with this monkey on their back.
1. The Bluetones. These fellas were your typical post ‘Brit-pop’ era groups who hit the big time when their debut album ‘Expecting to Fly’ hit the shelves in early…
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As I wrote in a previous blog, the kind of music I listen to now is a lot different to the sort of stuff I used to like. My teenage years were dominated by generic indie bands that were aboard the ‘Britpop’ gravy train. I have already told you about the 5 bands that I used to like but no longer do (which you can find a link for here http://sittingontheswings.com/2014/01/16/bands-i-liked-but-dont-now-by-martyn-taylor/) so I feel it is time for me to produce the 5 acts that I never held a flame for in my youth, but have now, not only grown to love, but idolise.
1. Pulp. These reluctant ‘Britpop’ figures formed in 1978 and struggled for a decade or so trying to gain prominence in the U.K. By the mid-90’s they hit the big time with their Disco influenced pop infused social commentary (try saying that after a few drinks)…
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The kind of music I listen to now is a lot different to the sort of music I listen to these days. During my teenage years in the 1990’s and early 00’s I listened to bands that were not a challenge to understand. There was nothing better at the time to than listening to the latest ‘Tubthumping’ anthemic release from whatever group was in fashion that particular week. It seemed that every week a new copycat Britpop band were debuting a new album. Back then I couldn’t get enough of these clones. There were a few acts in particular that I liked at the time, but now that I look back, it seems my judgement was clouded. I’ve picked 5 bands that I liked to listen to back in the day, but don’t rate very highly any more. They all helped to define an era for me, but their flimsy…
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I have been told by many people over the years that The Second Coming by The Stone Roses was a major anti-climax. After much time, hype and anticipation The Stone Roses released their second album in 1994. Fans had been made to wait five and a half years since the release of their eponymous debut masterpiece.
A lot had changed in five and a half years. Gone had the days of The Hacienda and The Happy Mondays, gone had the days of the hazy pop sounds that dominated their earlier release. In had come Parkers, Union Jacks and brash guitar-ladened bands (many of whom were influenced by The Stone Roses original sound).
The Second Coming was a cursed album from the very start, come on, how do you top an album like their debut? Most bands who release something so undeniably brilliant as The Stone Roses album do so three…
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